A unique portrait of New York's iconic Raoul's Restaurant - told through the eyes of a filmmaker-turned-accidental-restaurateur who was trying to make a film about his father who is also a filmmaker-turned-accidental-restaurateur.

Annabel, a young woman who risks being ostracized from an insular New York clique led by her socialite best friend when she falls for charming photographer Theo. Grappling with the sudden loss of her father, Annabel finds herself torn between the comfortable opulence of her upper crust circle and the vibrant ambitions of the artists downtown. As Theo introduces her to unexplored sides of the city and of herself, how far will Annabel push out of her gilded cage?

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A cross dresser helps three whores on their search for rich husbands.

Set at the renowned Carolines on Broadway, New York's Funniest is a stand-up competition that attracts hundreds of comedians every year for a chance to join the ranks of NYC's comedy elite. From the hundreds who audition in front of industry professional judges, 20 make it to the semifinals, hosted by SNL's Leslie Jones, and 10 move on to the finals, hosted by SNL's Michael Che. But in the end, only one can win the title, "New York's Funniest." Executive Produced by Caroline Hirsch, Louis Faranda, Andrew Fox, and Lou Wallach, and produced by Deverge.

Lillo (Christian De Sica) married Milena, one of the richest women in Europe. The marriage contract provides that Lillo undertakes to never cheat on her, under penalty of divorce and not even a penny of alimony. But one day he meets Barbara (Sabrina Ferilli) and it's immediately irresistible passion... Filippo Vessato (Fabio De Luigi) is a young surgeon who, to make a career, is forced to suffer the harassment of his head, Professor Benci (Claudio Bisio). Filippo is about to go to New York to get married and Benci does not miss an opportunity to further harass him by asking him to bring a gift to his son, a "model" student at Riverside College.

The lives of various Latin residents of New York City are depicted. A Puerto Rican family, two Mexicans, and their friends seek fortune without forgetting their roots and traditions.

Quinn dissects the infamous New York character, variously describing them as rude, opinionated, pushy, loud, fast-talking, sarcastic, wise-assed, abrupt, rude-polite, and above all, politically incorrect. That last one’s not a surprise coming from Quinn, long a purveyor of the “everyone’s too sensitive” school of “tell it like it is” comedy. Fortunately, his curmudgeonliness is more good-natured than some of the more toxic practitioners of the form. Quinn’s grousing is more an affectionately exasperated head tilt than the full-on assaults that other comics launch against “PC culture”—sneering attacks at the likes of feminists, civil rights activists, and basically anyone who

Circus owner Buck Rand kidnaps Boy to perform in his show. He forces a pilot to fly him, Boy and his animal trainer out of the jungle. Tarzan and Jane follow them to New York.